Padraig O’Riordan, in
his sideline as an author of ‘tuppenny dreadful’ novels, realised that an
episodic style might lead, if he wasn’t very sure of his stuff, to losing track
of the plot, no matter how slender that may be.
The taxi driver asked where O’Riordan and T F-P wanted to go, the
Irishman gave him the vague instruction “Down the A6”, not knowing Steve
Field’s exact address.
Back in the police control room, DS Fuzzyduck excitedly approached
Flintoff. “Sir,” he said. “They’ve found
the tank at Lancaster Service Station.”
“Lancaster
?” replied Flintoff. “Why Lancaster ? I thought
O’Riordan would try to flee the country.
Have the service station searched.
I want them found.”
The taxi exited at Junction 33A of the M6 and joined the
A6. The radio, which had been burbling
incomprehensible messages, suddenly burst into life. “Car 67.
Come in, car 67.” The driver
tapped the button on the side of the microphone for the radio. “Control this is
six-seven here. I can hear you loud and
I can hear you clear.”
“Erm,” hesitated the person at the taxi control room. “Can
you come back to base, please ?”
“I’ve got a fare.
You know I’ve got a fare. I
haven’t finished this job yet,” replied the driver. “What’s the problem ?”
“Erm, it’s, uh,” stumbled the operator with a nervous
laugh. “There’s an urgent problem with you vehicle. Can you come back in, please ?”
T F-P leant forward and pressed something through her
jacket into the driver’s midriff. “I’ve
got a gun here,” she said. “Stay calm
and no-one gets hurt.”
O’Riordan hoped that the list of those likely to get hurt
was limited to one.
“Pull over, give me the keys and then get out,” she
continued.
The taxi driver dutifully got out of the cab and handed
over the keys. T F-P trained her
attention on the driver and held out the keys to O’Riordan
“You drive,” she said.
“Me ?” said O’Riordan.
“But ... but... I’m from rural Ireland , where everyone owns a
pony. I’ve never learnt to drive.”
“Very well,” said T F-P.
“I’ll have to do it.”
They got back in the taxi and drove off, leaving the driver
shaking by the road way.
“I…erm…I,” stammered O’Riordan. “Didn’t realise you had a gun.”
“I don’t,” said T F-P removing a tablespoon from her jacket
pocket.
O’Riordan was glad that T F-P had taken a specialist police
driving course so that she could keep control of the vehicle with only on hand
on the wheel. The writer in him knew
that underdescription of a character’s appearance, as well as speeding up the
story, meant that you could make things up as you went along and that anybody
could easily have a Batman-style utility belt equipped for all the perils that
they may encounter.
“Sir,”
DS Fuzzyduck said triumphantly. “We know that O’Riordan and Farmer-Palmer got a
taxi from Lancaster
services.”
“Good,”
said DI Flintoff. “But where are they
now ?”
“The
taxi firm can’t contact the driver,” replied Fuzzyduck. “So, erm, we don’t
know.”
“Well,
find them, Fuzzyduck. FIND THEM !”
The hijacked taxi pulled into the gravel drive of a large
Edwardian mansion. O’Riordan and T F-P
got out and pulled the old-fashioned doorbell.
A small, middle aged woman answered the door.
“What is it that you want ?” she said in an Edinburgh accent, which
was the only thing to dispel similarities with Father Ted’s Mrs Doyle.
“We wish to see Mr Field,” responded O’Riordan.
“I’ll see if the master will see you. Who shall I say is calling ?”
“Professor O’Riordan. Padraig O’Riordan.”
The woman shut the door behind her, leaving O’Riordan and T
F-P standing in the dark in the portico.
Shortly she returned and ushered them in.
“You’ll have had your tea,” she said. “The master is in the library.”
O’Riordan and T F-P entered the vast, book-lined room. To one side sat a man in a smoking jacket, so
close to a blazing open-hearth fire that, like Roald Dahl introducing Tales of
the Unexpected, you expected his trousers to catch alight.
“Ah, come in,” said the figure in a stagey manner that,
O’Riordan thought, would make him an ideal character to be played in a film by
one of Britain’s gay theatrical knights – or possibly even peer – giving him
the chance to go right over the top. “I
was just perusing an anthology of Charlie Buchan’s Football Monthly. What is it that you want at this time of
night ?”
“Erm, we want information,” said O’Riordan. “About Mike Blackstone and the followers of
Blackstone and the search for the real World cup.”
“Slowly, slowly,”
said Steve Field, for it is he, as if you hadn’t guessed. “Too many questions for an old, hobbled man
to answer.”
O’Riordan had not noticed until now the small crutch in the
fireplace, looking much like Tiny Tim’s, the Dickensian character, not the
Jewish American ukulele player who had a hit with Tiptoe Through The
Tulips. Just then, the maid returned.
“Will the lady and gentleman be staying, sir ?”
“No,
Agnes, they will not,” said Field.
“Very
good, sir,” said the maid retreating from the room.
“That
was Agnes Dea,” remarked Field. “She has
been my faithful servant and protector for many years. I don’t know what I’d do without her. Please take a seat and I will explain to you
the rumour – and it is mere conjecture – about the true whereabouts of the real
World Cup.”
“We
already know that the Real FA replaced the trophy with one made by John Noakes
and stole the real one back,” said T F-P.
“Ah,
but that is only the half of it,” replied Field with the air of a man about to
go off on one. O’Riordan thought that
such a monologue as Field was about to embark on would, while advancing the
plot, make a bad screenplay as a movie would need to use it as an overdub or
intercut it with flashbacks and action scenes.
“Well,”
continued Field. “There are those that
say it never left the country and that it was the replica that was stolen in Brazil . But the true followers of Blackstone believe
that the trophy was taken to Mexico
for the next World Cup Finals. The
pre-tournament farrago with Bobby Moore and the bracelet in Bogota was the Real FA having a dry run for
stealing the trophy itself. That is, of
course, if it could not be returned to England by deeds on the playing
field. And even when that was lost, the
tournament had been rigged in such a way that three of the four semi-finalists
– England
should have been the fourth rather than Germany – had won the trophy twice
so they would keep it in perpetuity if they won it again. It would then be simple to steal the trophy
back and the Real FA would have ample time to do so. This is hinted at by Mike Blackstone in
‘Brown Sauce’ when there is a robbery in a game he attends at Penrith with a
crowd of 87; naturally he and Hugh Elwood as the two newcomers are the chief
suspects. There are those that say that
the robbery and rumours that Penrith were soon to move grounds are more than
mere coincidence.”
“But
the World Cup wouldn’t be hidden in Penrith, would it ?” queried T F-P.
“Why
not ?” said Field. “Withnail and I is
set in Penrith in the late Sixties and there are a lot of strange goings on in
that ! Anyway, when Adam Crozier, a Scot
– not to denigrate Miss Dea’s countrymen – was appointed as the FA’s Chief
Executive and he, in turn, appointed Sven-Goran Eriksson as England coach,
the Real FA had to take action to stop the whereabouts of the World Cup getting
out.”
“The
fire alarm business…” mumbled O’Riordan.
“Fire
alarm ?!” enquired T F-P.
“Fa-rye-a
A-lam,” confirmed O’Riordan. “It’s the
Irish accent.”
“It
turned out that Sven knew nothing, as did his successor, the fool McLaren,”
said Field. “And Mark Palios’s body was
dumped in the North Sea , theatre of breams.”
“Bream,”
said T F-P. “The plural of bream is …
bream.”
“Feck,”
muttered O’Riordan.
Not
having heard the expression before T F-P thought that it might have been a
reference to Mike Atherton, and obliquely to Atherton Collieries where, indeed,
the brown sauce was off, who had ‘FEC’ scrawled on his locker as a young
professional in the Lancashire dressing room.
Newspapers had tried to convince the general public that it stood for
future England
captain, but others said the phrase was less complimentary and the E stood for
Educated.
“You
mentioned the Real FA,” O’Riordan remarked.
“What does that mean exactly ?”
“There
is a school of thought that the FA is a front; Graham Kelly was an accountant,
Crozier a PR man, Brian Barwick is a TV executive – not men used to running
football. The people who do run
football, the power behind the throne, are the Real FA, with their ancient
regalia, blazers, slacks and archaic rituals…”
“Archaic
rituals ?” said T F-P falteringly. “Oh dear.
Oh my.”
Tears
began to roll down her cheeks.
“Whatever’s
the matter ?” asked Field.
“No,
it’s just ..” she continued, now sobbing.
“No, it’s too horrible.”
“What
is ?” said Field . “Do tell us.”
To be continued…
Any
resemblance of any of the characters to any person, living or dead,
particularly Steve Field, is purely coincidental.